{"id":11849,"date":"2018-06-18T13:43:16","date_gmt":"2018-06-18T17:43:16","guid":{"rendered":"https:\/\/magazineluxe.com\/?p=11849"},"modified":"2019-11-01T10:55:25","modified_gmt":"2019-11-01T14:55:25","slug":"dans-le-studio-de-djamel-tatah","status":"publish","type":"post","link":"https:\/\/magazineluxe.com\/fr\/dans-le-studio-de-djamel-tatah\/","title":{"rendered":"Dans le Studio de Djamel Tatah"},"content":{"rendered":"<p><strong>L\u2019art de Djamel Tatah tient en lui des \u00e9l\u00e9ments de l\u2019abstraction am\u00e9ricaine et des primitifs italiens, rien ne semble avoir \u00e9chapp\u00e9 \u00e0 ce grand peintre de notre temps. L\u2019artiste nous a re\u00e7us avec la chaleur et la g\u00e9n\u00e9rosit\u00e9 qui le caract\u00e9risent dans son immense atelier du sud de la France.<\/strong><\/p>\n<h3>Vos tableaux repr\u00e9sentent des figures qui \u00e9voluent sur des fonds monochromes que vous travaillez comme si vous \u00e9tiez un peintre abstrait. Vous appartenez \u00e0 votre temps, mais vous utilisez une technique de peinture ancienne, qui remonte \u00e0 l\u2019Antiquit\u00e9 (la peinture \u00e0 la cire). Comment d\u00e9finissez-vous votre pratique picturale\u00a0?<\/h3>\n<p>Pour faire mes tableaux, je m\u2019appuie sur des choix artistiques qui appartiennent \u00e0 des sph\u00e8res temporelles tr\u00e8s vari\u00e9es, comme la peinture \u00e0 la cire, qui m\u2019est essentielle parce qu\u2019elle attrape la lumi\u00e8re et permet \u00e0 la couleur de vibrer. Quant \u00e0 ma fa\u00e7on de placer mes figures dans des espaces dits \u00ab\u00a0abstraits\u00a0\u00bb, cela vient de l\u2019int\u00e9r\u00eat que j\u2019ai eu tr\u00e8s jeune pour des artistes comme Ellsworth Kelly ou Robert Ryman. J\u2019ai compris que la couleur \u00e9tait un champ d\u2019exp\u00e9rimentation illimit\u00e9 du sentiment. \u00c0 chaque tableau que je peins, c\u2019est toujours une exp\u00e9rience fragile et absolument impr\u00e9visible. Tout cela a un sens tr\u00e8s pr\u00e9cis. Je veux que mes figures n\u2019appartiennent \u00e0 aucun territoire, \u00e0 aucune nation. Je cherche seulement \u00e0 dire leur pr\u00e9sence. Voil\u00e0 pourquoi elles \u00e9voluent dans des espaces abstraits. La question pour moi c\u2019est\u00a0: Que faisons-nous\u00a0et que pouvons-nous esp\u00e9rer\u00a0de la vie\u00a0?<\/p>\n<h3>La musique est omnipr\u00e9sente dans votre quotidien, je me suis toujours demand\u00e9e si cela a \u00e0 voir avec l\u2019abstraction dans votre travail.<\/h3>\n<p>La musique est une expression qui va directement au c\u0153ur, c\u2019est un <em>feeling<\/em>. Et c\u2019est \u00e7a que je cherche quand je peins. Et puis, il y a tout ce qu\u2019on imagine quand on \u00e9coute un disque, on est port\u00e9 par une atmosph\u00e8re qui nous emm\u00e8ne ailleurs, on change d\u2019\u00e9tat; j\u2019aime cette ivresse. Je peins toujours plusieurs tableaux en m\u00eame temps, \u00e0 cause des temps de s\u00e9chage, \u00e9tape par \u00e9tape, couleur apr\u00e8s couleur, \u00e7a marche comme une rythmique\u00a0: r\u00e9p\u00e9tition, variation, reprise, d\u00e9clinaison.<\/p>\n<h3>Dans la grande exposition pr\u00e9sent\u00e9e \u00e0 la Collection Lambert \u00e0 Avignon, j\u2019ai \u00e9t\u00e9 profond\u00e9ment touch\u00e9e par l\u2019humanit\u00e9 que vous repr\u00e9sentez\u00a0en prise avec les \u00e9v\u00e9nements de notre monde. Quel est votre rapport au pr\u00e9sent, \u00e0 son histoire\u00a0?<\/h3>\n<p>Je ne suis pas l\u00e0 pour commenter la situation du monde actuel ou pass\u00e9. Mon langage, c\u2019est la peinture, c\u2019est l\u2019art. Je fais en sorte que mes tableaux disent quelque chose de subtil sur le fait d\u2019\u00eatre un homme dans le monde tel qu\u2019il est aujourd\u2019hui. J\u2019ai eu la chance d\u2019\u00eatre invit\u00e9 \u00e0 poser un regard sur la collection du grand galeriste Yvon Lambert avec la complicit\u00e9 d\u2019Eric M\u00e9zil, directeur de cette Collection, pour mettre en dialogue mes derniers tableaux avec un ensemble d\u2019\u0153uvres d\u2019artistes abstraits am\u00e9ricains comme Brice Marden, Robert Mangold, Robert Barry, Barnett Newman, etc. Cela produit un parcours in\u00e9dit, une exp\u00e9rience inoubliable.<\/p>\n<p><a href=\"http:\/\/djameltatah.com\">djameltatah.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11852\" src=\"https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-2.jpg\" alt=\"\" width=\"1920\" height=\"1195\" srcset=\"https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-2.jpg 1920w, https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-2-300x187.jpg 300w, https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-2-768x478.jpg 768w, https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-2-1024x637.jpg 1024w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11854\" src=\"https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-3.jpg\" alt=\"\" width=\"4549\" height=\"5051\" srcset=\"https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-3.jpg 4549w, https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-3-270x300.jpg 270w, https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-3-768x853.jpg 768w, https:\/\/magazineluxe.com\/wp-content\/uploads\/2019\/05\/Djamel-Tatah-3-922x1024.jpg 922w\" sizes=\"auto, (max-width: 4549px) 100vw, 4549px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Texte : Barbara Stehle<br \/>\nPhotos : \u00a9 studio-djamel Tatah<br \/>\nIllustrations : Sans titre, 2016. Huile et cire sur toile, 2 \u00e9l\u00e9ments, 220 x 200 cm chacun \u00a9 Djamel Tatah ADAGP Paris &#8211; Sans titre, 2016. Huile et cire sur toile 300 x 200 cm \u00a9\u00a0Djamel Tatah, ADAGP Paris<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019art de Djamel Tatah tient en lui des \u00e9l\u00e9ments de l\u2019abstraction am\u00e9ricaine et des primitifs italiens, rien ne semble avoir \u00e9chapp\u00e9 \u00e0 ce grand peintre de notre temps. L\u2019artiste nous a re\u00e7us avec la chaleur et la g\u00e9n\u00e9rosit\u00e9 qui le caract\u00e9risent dans son immense atelier du sud de la France. Vos tableaux repr\u00e9sentent des figures qui \u00e9voluent sur des fonds monochromes que vous travaillez comme si vous \u00e9tiez un peintre abstrait. Vous appartenez \u00e0 votre temps, mais vous utilisez une technique de peinture ancienne, qui remonte \u00e0 l\u2019Antiquit\u00e9 (la peinture \u00e0 la cire). Comment d\u00e9finissez-vous votre pratique picturale\u00a0? Pour faire mes tableaux, je m\u2019appuie sur des choix artistiques qui appartiennent \u00e0 des sph\u00e8res temporelles tr\u00e8s vari\u00e9es, comme la peinture \u00e0 la cire, qui m\u2019est essentielle parce qu\u2019elle attrape la lumi\u00e8re et permet \u00e0 la couleur de vibrer. Quant \u00e0 ma fa\u00e7on de placer mes figures dans des espaces dits \u00ab\u00a0abstraits\u00a0\u00bb, cela vient de l\u2019int\u00e9r\u00eat que j\u2019ai eu tr\u00e8s jeune pour des artistes comme Ellsworth Kelly ou Robert Ryman. J\u2019ai compris que la couleur \u00e9tait un champ d\u2019exp\u00e9rimentation illimit\u00e9 du sentiment. \u00c0 chaque tableau que je peins, c\u2019est toujours une exp\u00e9rience fragile et absolument impr\u00e9visible. Tout cela a un sens tr\u00e8s [&hellip;]<\/p>\n","protected":false},"author":710,"featured_media":13844,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-11849","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistes"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dans le Studio de Djamel Tatah Art I Magazine LUXE<\/title>\n<meta name=\"description\" content=\"Djamel Tatah nous a re\u00e7us avec la chaleur et la g\u00e9n\u00e9rosit\u00e9 qui le caract\u00e9risent dans son immense atelier du sud de la France.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/magazineluxe.com\/fr\/dans-le-studio-de-djamel-tatah\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dans le Studio de Djamel Tatah Art I Magazine LUXE\" \/>\n<meta property=\"og:description\" content=\"Djamel Tatah nous a re\u00e7us avec la chaleur et la g\u00e9n\u00e9rosit\u00e9 qui le caract\u00e9risent dans son immense atelier du sud de la France.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/magazineluxe.com\/fr\/dans-le-studio-de-djamel-tatah\/\" \/>\n<meta property=\"og:site_name\" content=\"MAGAZINE LUXE - 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