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LUXE magazine owner and Editor in Chief Samia El explains why she chose to devote a full issue to the subject of creativity. She also shares her long-term vision for the magazine and describes the goals she is hoping to achieve.

Why did you choose to devote this issue to the art and creativity scene in Montreal?

To me, luxury is most of all a question of art, talent, and creativity. We are very fortunate, in Quebec, to have lots of passionate and creative people, be they entrepreneurs, artists or craftspeople. All are helping to showcase who we are and the outstanding goods and services that are available to us.

Luxe Magazine now has a vibrant website. Does one have to display creativity and increase the number of platforms to make it in the media industry?

Absolutely! Technology never stops progressing. Magazines must adapt in order to continue being read. People are getting their information more and more from their mobile phones and tablets; they surf social media and are eager to get to the information quickly. Investing in an online version for our readers, and also for our clients and advertising partners, was becoming crucial for us. Moreover, contrary to conventional media, our strength lies in the use of all media formats, and this applies to the web, to social media, and to events with business communities. This multiplatform presence provides added value to our members.

UNICEF is listed as one of your partners. Why is that collaboration important to you?

Over time, the magazine is becoming more widely known, which is providing us with access to a vast network of businesspeople. So, each year we want to partner with a foundation in order to provide it with greater visibility. To me, all causes are good, and businesses must get involved in helping them. Just imagine how much our society would bene t if, tomorrow, every business decided to partner with a foundation and ask its employees to donate part of their salaries to it! We would collectively be helping to drive things forward. Charitable donations should be part of everyone’s philosophy. We are all affected directly or indirectly by someone going through a dif cult time. That’s why I believe that, besides the fundraising events that keep appealing to the same people, we should come up with a broader solicitation method that would get everybody involved. You don’t have to be rich to dedicate $1 from your salary to a good cause. It’s less a matter of money than a matter of responsibility.

Since you have been the owner of the magazine, you have given it a business focus rather than a design focus. Why is that?

Our business model is largely based on strategic partnerships with companies that are active in the luxury industry, which provides us with a network of important businesspeople in many parts of the world. We have just entered into a major partnership with one of New York City’s largest agencies, Lauren Berger Collection, which specializes in luxury property rentals. My greatest strengths lie in creating solid links with businesspeople, putting them in touch with each other, and giving them visibility. LUXE is more than just a magazine. It is a business network as well as a community of leaders at the national and international levels. In the art world, Arsenal Contemporary Art, an art centre located in Montreal, Toronto and New York, is one of our partners too. We are also about to announce another major partnership with one of the world’s largest private aviation companies.

Your magazine regularly features luxury real estate projects being developed in Montreal. Are these a reflection of the city’s vibrancy, in your view?

Yes. The numerous real estate projects that have sprung up over the last few years testify to the city’s vibrancy, but they also reflect a greater demand for high-end building projects, frequently in the downtown core. Canada is viewed as one of the most stable and safe countries in the world. We have excellent universities that admit students from all parts of the world, year after year. Often, those students’ parents make investments here by buying an apartment close to the university. The price of those condos in the middle of downtown is quite affordable compared to that of similar condos in many other countries. Nonetheless, there is a chance that it will be increasing over the next ten years. Having a property in Montreal, or even in Toronto, Vancouver or Calgary, is an excellent investment, in my opinion. Real estate has always fascinated me—that’s why I’ve decided that it would be at the heart of the LUXE magazine. We emphasize the most attractive current projects while creating targeted events for foreign investors.

How do you see the magazine evolving in the longer term?

LUXE magazine is gradually being recognized in North America as a reference for high-end real estate projects that are likely to attract potential buyers looking for a luxurious way of life. We also do features on incredible businessmen and businesswomen in order to introduce our readers to them and share their passion with them. In the longer term, we hope to play the role of a private club by helping bring together businesspeople from here and from around the world.

Photos Magazine Luxe

 

 

Text: Diane Sthehle

With its magnificent landscapes, hiking trails, unique rock-climbing faces and incomparable ski and snowboard slopes, an extraordinary winter experience awaits you in Banff National Park. The town of Banff is also known for its vibrant night life, high-end boutiques, spas and restaurants. Here are a few key activities and addresses to get you dreaming.

Downhill skiing

Banff National Park alone has three downhill ski resorts: Lake Louise, Sunshine Village and Norquay. They are grouped under the name SkiBig3 to offer convenient transportation, accommodation and rental packages. True to its reputation, the area is a dream destination for ski lovers.

www.skibig3.com

 

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Cross-country skiing, snowshoeing, biking

Many hiking trails adapted to cross-country skiing, snowshoeing or fat biking are available. Simply consult the Parks Canada website or brochures and, most importantly, check the weather and trail conditions before heading out.
A few suggestions:

  • Moraine Lake route (15.6-km round trip), also accessible to skaters
  • Spray River East and West trails (11-km loop), just south of downtown, departing from behind the Fairmont Banff Springs hotel
  • Redearth Creek, a trail approximately 20 km west of Banff

www.pc.gc.ca

 

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Ice walking

Located approximately 20 km west of the town of Banff, Johnston Canyon is a must-see. Explore on your own or go with a guided group. Most hotels in Banff offer different ways to experience this magical hike. Ice cleats are necessary and can be provided by your guide. Although it is a relatively easy trail through the forest, you should still be in fairly good shape for this hike because it is 1.1 km to the Lower Falls and 2.6 km to the Upper Falls (where you can marvel at climbers scaling the ice). You will be amazed by the gorge and its magnificent frozen waterfall ice columns, as well as breathtaking views all along the trail.

www.banfflakelouise.com

 

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Wildlife sightings

With a little luck, you will encounter mountain sheep, goats, elk and deer on the park roads and see their tracks scattered in the snow, particularly in the Bow Valley. Although grizzlies and black bears hibernate a good part of the winter, it is not unusual to spot them at the end of the season.

 

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Hot springs

There’s no better way to relax your muscles after a winter adventure than a dip in the very hot—40??C, to be precise—Banff Upper Hot Springs. Located at an altitude of 1,585 m, this top attraction is the highest operating hot spring in Canada and a true historical gem.

www.hotsprings.ca

 

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Address book

ACCOMODATIONS

Chic peak views
Surrounded by towering mountaintops and the majestic Victoria glacier, the iconic Fairmont Chateau Lake Louise (CAA Four Diamond rating) offers incomparable accommodations and service.
www.fairmont.com

On the mountain
Located in the very heart of the Sunshine Village Resort, Sunshine Mountain Lodge is the only ski-in, ski-out hotel in the park. The hotel has 84 rooms, including several family suites, restaurants, a heated outdoor pool and the largest hot tub in the area.
www.sunshinemountainlodge.com

RESTAURANTS

Whitehorn Bistro
Perched at 2,042 m, Whitehorn Bistro in Lake Louise is a must for foodies. The patio boasts magnificent mountain views and the food is simply delicious.
www.lakelouisegondola.com

Alpine Social
The ideal place for hearty servings and great times with friends.
www.thealpinesocial.com

Park Distillery Restaurant & Bar
More than an excellent restaurant, it is also the only distillery in Canada inside a national park. Free distillery tours daily at 3:30 p.m.
www.parkdistillery.com

Chuck’s Steakhouse
For meat and beer lovers!
www.chuckssteakhouse.ca

 

Text: Diane Stehle
Photos: © Banff & Lake Louise Tourism / Noel Hendrickson – © Shutterstock – © Jeff Barlett – © Paul Zizka Photography – © Jake Dyson

Why not take some me-time while you explore a new destination—in Switzerland? With its endless breathtaking views, this land of many peaks is the ideal destination to recharge and discover new horizons. LUXE has selected three of the country’s most beautiful spa resorts.

 

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Gstaad Palace (Gstaad)

Perched on a hill overlooking the town centre, Gstaad Palace provides a stunning view of the Bernese and Valaisian Alps. Founded 1913, this luxury establishment has a stellar reputation that attracts royalty and jet-setters from around the world, year after year. Moreover, it is considered one of the most beautiful establishments in Switzerland because of its enchanting surroundings and unique atmosphere that seamlessly combine glamour and alpine wellness. The unforgettable treatments in its magnificent 1,800 m2 spa offers are not to be missed. 

www.palace.ch

 

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Overview

  • 90 rooms and suites including two Tower Suites (two bedrooms and lounge) and one Penthouse Suite (three bedrooms and lounge) on the hotel roof
  • The Walig Hut, a luxury cabin located at an altitude of 1,700 m, a true haven in the heart of nature with all of the hotel’s comfort and services
  • Several luxury restaurants and bars
  • A famous nightclub

Spa (1,800 m2)

  • Eight treatment rooms
  • Sauna, steam baths and outdoor relaxation area
  • Private spa suite with sauna
  • Indoor and outdoor pools
  • Jacuzzi, hammam, massages
  • Tennis and squash courts

We love

  • The impeccable service
  • The outdoor Olympic pool in the summer
  • The private spa suite with sauna, hammam, lounge, shower and dressing room—ideal for perfectly private relaxation
  • The elegance and beauty of the surroundings: many films were shot on-site, including The Return of the Pink Panther in 1975
  • Anecdotes that add to the mystique: apparently Michael Jackson wanted to buy the palace, but for once, he didn’t get what he wanted

Le Mirador, Resort & Spa (Mont Pèlerin)

Just 45 minutes from Geneva, overlooking Lake Geneva from the heart of the UNESCO-listed Lavaux vineyards, Le Mirador Resort & Spa has one of the most magnificent panoramic views in Switzerland. This oasis of calm is a boutique hotel with 63 luxurious rooms and suites, a Givenchy Spa, a fitness centre and a health and wellness centre. The spa specialists will help you recover from your workout with treatments or massages while the medical centre experts provide healing and preventive treatments for deep revitalization.

www.mirador.ch

Overview

  • 57 suites and six rooms
  • Two restaurants
  • Lounge bar and terrace

Givenchy Spa

  • Indoor pool and jacuzzi
  • Sauna and hammam
  • Group classes and private coaching
  • Tennis court

Le Mirador Medical Centre

  • Preventive and regenerative remedies
  • Anti-aging and detox programs
  • Dermatology, nutrition, cardiology and dentistry

We love

  • The incredible view of Lake Geneva and the Alps above the clouds
  • The know-how of an establishment founded 114 years ago
  • The relaxing atmosphere of this high-end hotel
  • The proximity of the vineyards of Lavaux and Chillon Castle, a true architectural gem

Dolder Grand (Zurich)

One of the Leading Hotels of the World, the Dolder Grand is one of the best vacation spots in Europe. High in the hills, halfway between the bustling city and fresh calm of nature, this luxurious castle offers magnificent views of Zurich, its lake and the Alps. It has 175 magnificent suites and rooms as well an expansive 4,000 m2 spa. Its two restaurants (one with 14 Gault Millau points, the other 19 Gault Millau points and two Michelin stars) serve delicious gourmet cuisine.

www.dolderhotelag.com

Overview

  • 175 rooms and suites
  • Two award-winning restaurants
  • Pool and mini golf (in summer), skating rink (in winter)
  • Nine-hole golf course
  • Club house
  • Five tennis courts

Spa (4,000 m2)

  • Separate gentlemen’s and ladies’ spas
  • Comprehensive Aqua Zone: pools, whirlpool terrace, steam bath, sanarium, mixed sauna, spa library, two private spa suites and relaxation areas
  • Fitness room
  • 20 treatment rooms

We love

  • The hotel’s central location, ideal for numerous unforgettable excursions—don’t miss the largest waterfalls in Europe, the Rhine Falls, and the breathtaking views of Pilatus Mountain
  • The shopping in Zurich
  • The Kids Room for children aged three to 12 years
  • The private art collection with more than 100 works by the likes of Andy Warhol, Henry Moore and Salvador Dalí

 

Text: Diane Stehle
Photos: Gstaad Palace © Gstaad Palace – Le Mirador, Resort & Spa © Le Mirador, Resort & Spa – Dolder Grand © Zelijko Gataric, Heinz Unger

Gerri Davis is a painter, but NASA could almost have used her as a scientist. Her paintings are incredibly cool and challenging; they are pushing the boundaries in their field. An afternoon in the studio, going over the works for her upcoming show at Le Salon H, led to an interesting discussion.

Your work features amazing close-ups, where things are dramatically enlarged. But you also paint epic compositions, where things are actually smaller than in reality. Could you talk about your relationship to scale?

The world you see around this magazine that you are holding: the room, the lights, your body, a table perhaps, is actually an enormous view. I’m interested in squeezing that enormity into the confines of the rectangular, two-dimensional frame of a painting. Maximizing the relationship in scale between two things can cause one thing to feel much closer and the other much farther away, so it’s a natural by-product of my attempts to compress more into the frame than should logically fit into the confines of a little square on the wall.

 

Gerri Davis

Your paintings often seem to subvert gravity; how did you arrive at that way of looking at the world?

I grew up in a NASA neighbourhood filled with astronauts, so gravity was never something I took for granted. Later, I trained as an architect. The systems of representation used in that field allow points of view to be anywhere from underneath to overhead—underground to aerial. This caused me to become acclimated to abnormal vantages. In my work, being a pair of eyes 5’2” above the floor is not a given.

It seems that you pick up the exploration of the laws of optics where the Renaissance masters left off. Your paintings explore playfully and very daringly the meaning of these laws when it comes to representing the world we see.

As a way of exploring the fullness of perception, I devise ways to paint time that often upend the optical rules. This hopefully incites new ways of seeing that we may take with us into the world and that heighten our appreciation for temporal aspects of our biological field of view we might sometimes take for granted.

 

Bather II

You experiment with all sorts of approaches to portrayal, by painting… yourself! Are you your easiest model?

I suppose anytime a painter prepares to paint, there is also a model preparing to be mostly motionless for some extended time. When painter and model are combined, there is a synchronized dedication between subject and artist. Additionally, the depiction of a face absorbed in the act of study invokes an unselfconscious expression. The blankness with which we approach our phones reminds me of that openness. I’m working on a series of paintings that explore that ubiquitous blank stare into a glowing monitor.

 

Regarding self-portraiture, what really interests me about painting my reflection is the juxtaposition of various iterations of a face over time—how each portrait represents the intersection of a complex relationship between internal psychological and external physical landscape, and the interpretive mechanism driving the experience of making the painting. This varying interplay produces a series of paintings of one person that appear as if they could be many people. It’s possible our identities are not as easily defined as we like to think.

 

www.gerridavis.net

 

Text: Barbara Stehle
Photos: Wetted Desert, 2018. Oil on linen, 127 x 190.5 cm. Private collection, Beverly Hills, CA. © Courtesy of the artist
Portrait in the Studio in front of The Dance (in progress). © Claudia Hehr, 2012
Bather II, 2015. Oil on canvas, 152.4 x 168 cm. Private collection, Milan, Italy. © Courtesy of the artist

Founded in 2010 by Adam Neumann and Miguel McKelvey, WeWork is a workspace sharing network that spans the globe. Designed for the individual freelancer right up to companies with over 500 employees, WeWork takes the stress and guesswork out of running an office. Joining WeWork is much more than accessing a beautiful, functional office space; it’s about creating and joining a community that celebrates life and personal fulfillment.

Welcome to WeWork

WeWork is an international community that serves as a collaborative platform for a vast range of business models including entrepreneurs and start-ups as well as enterprise level established companies. Office spaces are designed to warmly welcome employees from the moment they step through the elevator doors.

 

Each floor is designed with glass walls, a communal kitchen (stocked with micro-roasted coffee, tea,craft beer and fruit-infused water) as well as spacious unique common areas featuring lamps, desks, chairs, lockable filing cabinets and more. Meeting rooms as well as phone booths for private conversations are also readily available on every floor.

 

From Sydney to Tokyo, New York to Vancouver, each space is staffed by office managers who are dedicated to making the WeWork experience as exciting and enjoyable as possible! Want to organize a networking event or set up a conference room for a product analysis meeting? The on-site staff is there to help with every foreseeable detail.

It’s all about community

From decision-makers, fashion designers and artists to freelancers, technological entrepreneurs and business owners, the WeWork model attracts those with a vision and the drive to take their enterprise to the next level. Becoming a WeWork member means businesses can focus less on the functional details of an office (leases, furniture, computers, office supplies and adequate space) and devote themselves fully to the pleasure of expanding the quality of their enterprise.

 

Belonging to the WeWork community comes with all sorts of additional benefits. Members can opt-in to buying items such as computer software at a discounted rate. Each floor’s various common spaces promote conversation, information gathering sharing and networking opportunities. More formal member-driven networking opportunities, wellness activities, wine- tastings, panel discussions and so much more are also available on a daily basis. The sheer variety of members’expertise and personalities of the members in each office drives the dynamic energy of the community’s shared experience.

 

Members are also connected worldwide through a digital app that enables them to source project partners and business solutions rapidly. Whether it’s legal advice regarding a patent or the search for a qualified project manager, a WeWork survey revealed that seven out of ten members used the application to answer their business needs.

 

What’s next?

WeWork opened its first location in Canada in Montreal’s iconic Place Ville Marie office tower in the heart of downtown in March 2016. A second Montreal location haswas opened, as well as a location in downtown Toronto and, most recently, in the Burrard station in Vancouver. A second location for Toronto and Vancouver are slated to open at the end of this year and at the beginning of 2018. WeWork sites are chosen based on their city-centrality, in neighbourhoods that feature a high concentration of creative and technological communities. Members also have access to all other workspaces throughout the world when they are travelling.

 

Driven by demand and the dynamism of the a community-modelled workplace, WeWork will continue to expand its offering all over the globe. Learning opportunities, such aslike courses to increase enhance skill- sets (such as coding) are also on the horizon. As a complementary offering to WeWork, WeLive is also in the works: Private private apartments that have communal access to amenities such as a chef’s kitchen, a yoga studio and a screening room.

 

For more information on WeWork, visit: www.wework.com.

 

Text: Shauna Hardy

A prestigious address, luxury penthouses, unobstructed 360° views of Montréal, service worthy of a five-star hotel: 1111 Atwater lives up to its promises while redefining luxury living. The result of a partnership between renowned real estate developer EMD Group – Batimo, Clarke and Claridge Immobilier, this exceptional project will allow 25 privileged owners to enjoy a unique lifestyle in the heart of Montréal’s Atwater Avenue.

 

Built on the former site of the Montreal Children’s Hospital—a site long coveted by real estate developers—1111 Atwater is ideally located. Situated halfway between the mountain and the river, steps away from downtown and the sophisticated City of Westmount, this upscale building offers vast penthouses between the 30th and 38th floors.

 

Designed in partnership with the renowned firm Escobar Design by Lemay, these 25 unique spaces stand out for their high-quality materials and elegant design. “We worked with Andres Escobar and his team because we wanted to develop a range of condominiums that the Montréal market had never seen before. They are all ultra-luxurious, down to the last detail,” explains Francis Charron, President of Batimo and Vice-President of EMD Construction.

 

With 10- to 12-foot ceilings and massive windows, these ultra-bright penthouses are also entirely customizable. “We pay special attention to the needs of our clients. They are all unique and that’s why we offer the flexibility of personalizing each residence. Our units can also be combined to obtain the desired square footage. One of the future owners, a member of the Quebec business community, ordered an entire floor. That’s 10,000 square feet,” adds Charron. To make sure the units reflect their owners’ taste, a designer of their choice or from Andres Escobar’s team can take care of the finishes.

 

A spectacular view

The 1111 Atwater offers another major benefit: breathtaking views of Montréal and its surroundings. From sunup to sundown, this exclusive condominium building—the tallest in the neighbourhood—offers completely unobstructed 360° views. No matter the season, owners have front-row seats to the changing cityscape. The beauty of the river, the mountain and the downtown skyline provide an exceptional panorama.

The common areas were not an afterthought. Up on the 31st floor, the magnificent Sky Lounge boasts a massive terrace designed for taking advantage of beautiful days and bird’s-eye views of the city. Owners can receive their guests in this stunning and private setting. The indoor pool opens to the outdoors in summer and the fitness centre is equipped with the latest fitness technology for those who want to stay in shape year-round.

 

 

“You will have front-row seats to the changing cityscape.”

Francis Charron, President of Batimo and Vice-President of EMD Construction

Like a five-star hotel

Living at 1111 Atwater means enjoying an exceptional living space, while benefitting from the services of a five-star hotel. Inspired by New York City’s big hotels, the lobby is staffed 24/7 by a concierge trained to satisfy the most exacting demands.

 

You can feel the exclusive and unique aspect of this project as soon as you step into the sales office, “When we receive visitors for the first time, we offer them an immersive experience that, for a real estate project, is unique in North America. We use state-of-the-art technology to create an immersive experience with a dome that makes it possible to discover the units in a never-before-seen dimension. This introduction reflects our desire to innovate, which shines through the entire project,” Charron proudly concludes. The completion of the 25 gorgeous penthouses at 1111 Atwater is slated for december 2022.

 

 

  • Penthouses ranging from 1,200 ft2 to 9,000 ft2 between the 30th and 38th floors
  • From $2 million
  • High-performance curtain wall windows
  • Top-of-the-line kitchen appliances
  • Kitchen cabinets and island countertop included
  • Home automation technology
  • Customization of spaces (additional costs)
  • Interior design services (additional costs)
  • Exclusive indoor/outdoor pool
  • Fitness room
  • Sky Lounge terrace
  • Lounges on the ground floor and 31st floor
  • Private entry and elevators
  • 24/7 concierge
  • Indoor parking

Sales office

2307 René-Levesque Blvd. West, Montréal
Tel.: 1 855 364-6167
www.1111atwater.com

Text: Diane Stehle

For 30 years now, Claude Marcotte has worked in large consulting engineering and architecture companies. In his busy career, he has participated in the planning of theGriffintown neighbourhood and in the implementation of the Tour des Canadiens and the Bois-Franc project, among others. He is now a Partner at Carbonleo, a prominent Quebec property development and management company, and has been involved in several flagship projects in metropolitan Montreal, including theQuartier DIX30TM, the Four Seasons Montreal and RoyalmountTM. This passionate urban planner shares his vision for Montreal with us on the occasion of the city’s 375th birthday.

Why do you so strongly believe in the future of Montreal?

Montreal embodies the millennial spirit. It’s a young, connected, vibrant city that is experiencing an unprecedented real estate boom. Millennials like experiences. With its hip, European character, its bilingual culture and its calendar of international events, Montreal has become their city of choice.

Is it difficult to manage large projects in Montreal?

The situation has changed a lot in the last few years. Public administrations, whether at the Ville de Montréal, the Ville de Mont-Royal, or the Quebec government, are much more interested carrying out flagship projects in the metropolitan area and are showing a spirit of collaboration.

Tell us about your Four Seasons Montreal project.

We’ve been working on this prestigious project for a few years. We have entered into a partnership with Four Seasons that will allow us to create a luxury ecosystem in the heart of downtown Montreal. In addition to hotel rooms and residences, this exceptional project will include a huge ballroom, a restaurant, a unique lounge and speakeasy, as well as high-end commercial spaces. Visitors and residents will also have direct access to the Ogilvy/Holt Renfrew store.

Do we have the expertise in Montreal to carry out this kind of spectacular project?

Absolutely. We’re working with local firms like Lemay and Sid Lee for architecture, BPA and Elmea for engineering, Philip Hazan for interior design and Zebulon Perron for the restaurant and the lounges. We are doing business with external firms and are maintaining close collaboration with local companies to keep expertise in Montreal. That’s the case with the Parisian architecture agency Gilles & Boissier, which is very involved in the interior design of the Four Seasons Montreal. For the Royalmount project, we have hired the London architecture company Benoy. Once again, we have fostered a constructive partnership between Benoy, Lemay and Sid Lee to create a smart and inspiring design.

You mention the Royalmount project. We heard a lot about it some time ago, but you seem to be more reserved now. What’s going on with it?

We’re working very hard on the project, which will become a model cultural and commercial hub. It will offer many experiences and services in one location. We’ll disclose more information on the project next fall.

Why have you chosen that location to conduct such a large-scale project?

Royalmount will be located at the heart of the island of Montreal, at the intersection of the two busiest highways: Highway 15, which connects the north and south shores, and Highway 40, which connects the east and west of the province. It will also be linked to the De la Savane subway station by a pedestrian walkway.

How are you going to connect with the new generations and adjust to the constant changes in retail trade?

Consumers’ expectations fluctuate, just like the industry. Immersive experiences will soon become the only way to appeal to new generations. Royalmount will be a unique entertainment and gastronomy destination. It will have a diversified commercial offer that will be joined by hotels and offices. Furthermore, for its construction, we’re paying special attention to sustainable and responsible development initiatives. Montreal is celebrating its 375th birthday.

In your opinion, does the construction of the Four Seasons Montreal contribute to our city’s international reputation?

Yes, absolutely. Four Seasons is a brand that’s very present in all large cities around the world: in London, Paris, New York, Toronto, and now Montreal. Our city has changed a lot in the last few years and the Four Seasons will improve its offering in terms of luxury hotels.

What is your greatest achievement?

I would say all my projects as a whole, but in a 30-year career, a project as complex as that of the Four Seasons, which includes private residences, a luxury hotel, boutiques, an entertainment space and direct access to Ogilvy, has to be among the top. The building is also magnificent.

Are those exactly the types of complex projects that drive you?

Yes, because there is complexity as much on the architectural level as on the conceptual and construction levels. Once the Four Seasons Montreal opens its doors in December 2018, I will be very involved in the management of the hotel and its operations, which will be another great challenge. At Carbonleo, we’re a small team, but we manage ambitious projects.

 

www.carbonleo.com

 

Text: Diane Stelhe

Artist and photographer Barry Fellman shines a light on Miami’s art scene with a tribute to influential Miami artists, past and present, in a brilliantly curated exhibit called The Miami Creative Movement at the Center for Visual Communication, and in his stunning companion photo book, Miami Creative: A Decade of Transformation.

 

The Miami Creative Movement Comes Alive

Showcasing a unique and powerful mix of the artists who led the charge and those blazing ahead into the future, The Miami Creative Movement is a formidable assortment of new works by 15 of Miami’s leading artists. The exhibit is currently at The Center for Visual Communication (CVC), a gallery in Wynwood, Miami’s creative and cultural hub. CVC Director Barry Fellman is the curator and mastermind behind the new exhibit as well as a companion piece, a new book called Miami Creative: A Decade of Transformation.

Founded in 1987, the Center for Visual Communication collaborates with governmental, educational and non-profit organizations to promote Miami-based art and artists. The CVC showcases visual art and new media in a majestic 10,000 square-foot gallery space in the Wynwood Arts District.

 

Fellman first curated The Miami Creative Movement for Miami Art Week in 2022. Extended for six weeks due to its popularity, the exhibit currently on display at the CVC features powerful new works of art by Mira Lehr, Carlos Betancourt, Edouard Duval-Carrié, Karen Rifas, Robert Thiele, John Bailly, Asser Saint-Val, Kathleen Staples, Paola Gracey, Jacqueline Gopie, Robert McKnight, Regina Jestrow, Gustavo Oviedo, Pablo Contrisciani and David Marsh.

Paola Gracey

With a background in science academia, Gracey incorporates scientific concepts, chemical equations and symbolic representations into her paintings. Using different techniques such as pouring, dripping, tipping and mixing, she approaches each painting like an experiment.

 

Paola Gracey, Spectra II, mixed media, 72 x 72 in.

Carlos Betancourt

A multidisciplinary artist, Betancourt uses art to examine memory, personal identity, nature and the environment.

 

Carlos Betancourt, Landscape Re-Imagined, mixed media on vinyl, 62 x 52 in.

Mira Lehr

Eco-conscious artist Mia Lehr has spent the last 50 years using art to document the wonders and ever-changing state of the natural world.

 

Mira Lehr, The Arrival I and II, ignited fuses, burned and dyed Japanese paper, acrylic and ink on canvas, 48 x 54 in.

Mira Lehr, Early Spring, burned and dyed Japanese paper, ignited fuses, ink on canvas, 60 x 54 in.

Gustavo Oviedo

Vivid and lively, Oviedo’s representations of worldly visions serve as a reminder of all the wonder the world contains if one chooses to explore it.

 

Gustavo Oviedo, Nebula Dreams, acrylic and spray paint on canvas, 36 x 48 in.

David Marsh

Marsh is consistently developing his own visual language through a rigorous process of inquiry. He is resolutely committed to abstraction, affirming its relevance as a living practice.

 

David Marsh, X, oil on canvas, 16 x 20 in.

Jacqueline Gopie

Challenging negative media stereotypes of people of colour by depicting idyllic scenes, Gopie’s intent is to rewire the viewer’s learned negative response to racial differences by showcasing alternative positive narratives.

 

Jacqueline Gopie, Freedom to Be, acrylic on canvas, 70 x 60 in.

John Bailly

With an emphasis on transatlantic dialogue, Bailly’s paintings explore how we are who we are in relation to history, place and culture.

 

John Bailly, Francisco and Diego, oil on canvas, 36 x 60 in.

Karen Rifas

In her nearly 40 years as an artist, Rifas has used her work and experimentation with materials and process to provide insights into the inner workings of Miami’s private and public cultural institutions.

 

Karen Rifas, 0807, acrylic on Arches watercolour paper, 45 x 45 in.

Robert Thiele

Robert Thiele embeds found objects from the environment into paintings that he calls wall constructions.

 

Robert Thiele, Second Circle (CCLXXX), wood laminated canvas, mixed media, 28 x 28 in.

Pablo Contrisciani

Contrisciani uses art to explore the universe and its unity in the infinite diversity of elements.

 

Pablo Contrisciani, Unadulterated Magic, mixed media on canvas, 35 x 56 in.

Asser Saint-Val

After moving to the US from Haiti, Saint-Val began to examine many facets of his uniqueness, spirituality and the realm of thought form. Imbued with a desire to understand the profound nature of his identity, Saint-Val began researching neuromelanin, the pineal gland and consciousness. He expresses his findings in his paintings.

 

Asser Saint-Val, ISPAKOTV NGY EWHR, I have allowed you to perform your task!, mixed media on Masonite, 48 x 48 in.

Regina Jestrow

Jestrow creates organically shaped geometric art quilts that “stem from my constant re-examination of American history and recontextualizing of textile traditions.”

 

Regina Jestrow, Americana Quilt 72, assorted fabrics, hand-dyed fabric, batting, thread, 60 x 95 in.

Kathleen Staples

Working with paint, wet on wet, in an expressive “go with the flow” technique, Staples uses natural forces to create rough, expressive surfaces that are an exaggerated, fantastic evocation of natural terrain, in a parallel of landscape’s own power.

 

Kathleen Staples, Evening Harmony, acrylic on canvas, 40 x 48 in.

Robert McKnight

McKnight’s mission as an artist “is to create works that are individual in style and content reflecting my heart and soul, stretching the poetic and artistic license in both material and content.”

 

Robert McKnight, Blues 1, Blues 2, Blues 3, framed and mounted Triptych, 60 x 95 in.

Edouard Duval-Carrié

An educator at heart, Duval-Carrié is a contemporary artist and curator who challenges the viewer to make meaning of dense iconography derived from Caribbean history, politics and religion. His mixed media works and installations present migrations and transformations, often human and spiritual.

 

Edouard Duval-Carrié, Tropical Convention, Pink, undefined.

Miami Creative: A Decade of Transformation

A companion piece to the exhibition, Miami Creative: A Decade of Transformation, is Fellman’s ode to the flourishing creativity that has turned Miami into a global artistic force. An accomplished photographer, Fellman uses imagery to chronicle a pivotal decade in Miami’s arts and culture from 2010 to 2020.

 

The publication’s more than two hundred vibrant photos and essays record the heart and soul of Miami’s creative community, from major museums and performance venues to popular grassroots events. It documents a decade of artistic growth in Miami, the creative community and the impact of transformational financial investments (both public and private) on the arts.

 

 

 

Writer: Lesley Bishin